New Mexico winter day Photo by Venaya Yazzie 2015 |
Created as an homage to my desert ancestors, I focus on the historical significance of Indigenous southwestern tribal adornment culture and the perpetuation of those adornment practices perpetuated into the 21st century. In honor of my Navajo & Hopi Pueblo People & my ancestral matriarchs, and male relatives who adorned themselves with elements of the earth. Be Matriarch. Hózhó Nashá- Beauty all Around. Venaya Yazzie
Friday, January 8, 2016
Thursday, January 7, 2016
Clothing of Navajo Matriarchs - New Mexico
Photograph of my maternal grandmother and her older sister circa, 1945 New Mexico. Photo courtesy of Jane Werito Yazzie ALL RIGHTS RESERVED 2015 |
The history of most global tribal clothing usually concerns cultural traditions and cultural norms, for the Dine' (Navajo) people of the American southwest, women's garments concern a plethora of political and historical histories. The twentieth and twenty first century adaptations of Navajo women's clothing materialized via forced relocation, forced assimilation and continued colonization- cultural desert clothing therefore is a way of perpetuating survival.
The image I share with you belongs to my maternal grandmother's family photograph collection and depicts my family matriarchs, my grandmother(s) of the Manyhogans clan legacy from Dzilthnaoditle, or near Huerfano, New Mexico, USA. I share this for the reason of discussion of the origins of this clothing style by Navajo women in the early 20th century era to the present.
As you can see the two women are 'adorned' in the standard "Navajo style" shirt and skirt made of Velveteen cloth. Their collared blouses and tiered-skirts are handmade articles by them and their mother (my great-grandmother). The Navajo-made silver and turquoise jewelry items are made by local silversmiths. This photograph was taken during the mid-1940s in New Mexico on the eastern region of the Navajo Nation reservation near Huerfano, NM.
As you can see the two women are 'adorned' in the standard "Navajo style" shirt and skirt made of Velveteen cloth. Their collared blouses and tiered-skirts are handmade articles by them and their mother (my great-grandmother). The Navajo-made silver and turquoise jewelry items are made by local silversmiths. This photograph was taken during the mid-1940s in New Mexico on the eastern region of the Navajo Nation reservation near Huerfano, NM.
This style of Navajo women's clothing was adapted by Navajo women in the Post-Long Walk era, (which began in 1864) through 1868 to the present, after the Navajo people were released from the American prison camps at Bosque Redondo, NM. (If you are not familiar with this history, please research the topic of the 'Navajo Long Walk.' A time in American history when Navajo were imprisoned at Fort Sumner, NM from 1864-1868 by the U.S. government.)
Before the Long Walk era, the Navajo primarily wore clothing which consisted of animal hides and furs, and then later wool-woven materials. At this time in history the Navajo women began weaving their own clothing via their dress called biil, or rug dresses which consisted of two rugs stitched together at the shoulders and sides to make a women's dress. But, after the Long Walk era the Navajo women- being exposed to Spaniard and Euro-American women's clothing styles, adapted their clothing style and began designing and creating the above posted garments. Also, during this time in the American southwest, the Manifest Destiny era was in full mode and more Pioneer settlers were roaming onto Navajoland. So Navajos were seeing real Euro-American Pioneer folks in person. My family still carries the oral history of seeing the first, "white people" in their whole life, this would be my great-great-great-great grandmother.
This history of desert southwest garments is important because the Indigenous people of the 21st century, as the Navajo and Pueblo, continue to create tribal clothing with real meaning and in recognition of the good and terrible events that have happened. It must be stated that most of everything modern yet tribally-minded Indigenous people design and create has real substance, real meaning which is closely connected to spiritual and historical well-being. Many of us still carry the act of prayer close to our lives, we do this so we can understand and deal with issues of historical memory and continued acts of genocide and historical trauma...
I share this with you because tribal clothing of the Indigenous people of the Americas always has a story, a legacy of ancestral knowledge and meaning - so when non-Indigenous, non-Navajo people take the styles of tribal clothing whether it be a velvet skirt or Pueblo manta, they do so with no thought of that item's history or intangible wealth, basically its own 'true' story.
The 21st century has brought about a resurgence of Indigenous tribal identity for many younger generations Native people living on and off the reservations. We, as a whole, seem to recognize the need to hear and maintain our tribal origin stories, we understand that every big and small cultural item has a story, has a power - and that is how and why we strive and still survive.
Blessings in All Things.
Wednesday, January 6, 2016
Another example of 'Navajo' to sell product
Photo credit: Navajovelvet.com website |
Here is another example of how the non-Navajo/ non-Indigenous public is using the name 'Navajo' to sell their products. This company is not affiliated with the Navajo Nation tribe.
Below is their description of their business/ history:
How the story goes:
The original skirt was a gift to Sherry Lou while visiting a Navajo grandmother in Arizona. That skirt became the unique pattern and inspiration for the entire line of Navajo Velvets. Returning to her home in the rugged mountains of Southwest Oregon’s Illinois Valley, she replicated that original Navajo Skirt. Using her treadle sewing machine, Sherry Lou began satisfying the requests of friends and neighbors. Now after so many years later, several sewing machines worn out through more than 10,000 garments made, she still brings joy to the eyes and hearts of an ever growing clientele.
Each year Sherry Lou travels to Los Angeles and selects the fabric for each Navajo Velvet garment. She personally does the dying, design and cutting of each garment. Supervising each step in the process if not doing it herself, she demonstrates her love for the quality of each and every piece. Which by the way, must meet the expectations of her extremely critical eye, or it is not finished.
Everywhere, including the upscale stores and boutiques of Santa Fe, Vale and Aspen, the smart design and superb quality of Navajo Velvets continue to strike a heart felt chord in outdoor women throughout the West.
Navajo Velvet always draws the admiring eye and invites a loving caress.
We know you will enjoy the stylish comfort, freedom, and acceptance for every occasion...
with Navajo Velvet!
Its interesting how they use the words 'Navajo grandmother' to try to gain acquaintance...... its deceptive as the statement asks us to assume that it is her 'Navajo grandmother,' which I highly doubt there is any Navajo heritage. If the such marketing tactics are too general than that leaves the viewer with many assumptions of authenticity.
If you want to buy genuine-made Indigenous, Navajo garments, buy directly from the maker, that is if you believe in the term "authentic Navajo made."
If you want to buy genuine-made Indigenous, Navajo garments, buy directly from the maker, that is if you believe in the term "authentic Navajo made."
Monday, January 4, 2016
Exposing El Past Saddleblanket companyPhoto
Copy and fake item by the El Paso Saddleblanket company Photo credit El Paso Saddleblanket via Internet |
I would like to educate the global community on a great deception that is currently still going on in the southwest. Its a great disrespect to Navajo rug weavers and the Navajo Nation.
Here is an image of a blatant copy, (sold for $260) of a fake Navajo rug which is being sold by the above mentioned Texas company. They have been stealing and therefore appropriating Navajo rug designs for many years now.
It is known throughout most of Navajoland that this company has sent and currently sends out people to scout out new Navajo rug designs of Navajo women weavers. They then photograph the rugs and thus steal the designs of Navajo women, they then re-create or misappropriate the cultural designs. In the process of the entire scam they then send the designs to either India or South American for weavers to copy. The company then markets the fake product to a global public to make a profit.
Here is an example of how this company markets their stolen Navajo designs in their foreign-made rugs they sell to the public:
Attention Wholesalers and Collectors!! Buy now before it's gone!!!
We are pleased to present our selection of handwoven wool rugs. These fine quality rugs are made of 100% wool and imported from India.
Folks, this is a huge room-size rug! At a super low wholesale price! Looking at these rugs you can see why we say rugs are a solid art investment.
The rugs that Navajo woman weave are much more than just aesthetic 'designs'- for each rug contains intricate motifs that have connections to the spiritual. To be copying another persons cultural designs concerns that individuals rights of that tribal artist's Intellectual Property rights.
It is my hope that the Navajo Nation government leaders would take a stand in 2016 to remedy this problem. Please let them know of your concern also.
Navajo stand up against Urban Outfitters
Photo credit: Urban Outfitters website |
I would like to say a few words on this lawsuit that continues into 2016.
Here I post a sample of the one such item (though there are several) of a flask sold buy this company. This particular item called a "Navajo" flask and is sold under this label. This company has produced other products such as underwear and various clothing items that not only appropriate the cultural imagery/ motifs of the Navajo Nation, but also use the term 'Navajo' to do so.
In 2012 the Navajo tribe has sued the company to keep from using the term 'Navajo' in their products. Though many in American culture have made this lawsuit trivial, this topic is a serious issue. The Navajo Nation of people have been dealing with such issues since they (we) have been producing our tribal arts. This lawsuit in my opinion is a good move for the tribe, but also for other Indigenous tribal people in the Americas. This lawsuit tells those who are 'wannabes' and 'thieves,' that the Indigenous cultural imagery and symbols and names are not for them or their use.
We Indigenous are stronger than ever in the 21st century, We will not be passive on issues of misappropriation or the theft of our cultural identity by American corporations.
I share the following article for your greater understanding.
______________________________________
Urban Outfitters and the Navajo Nation Are Still Locked in a Legal Battle
story via Racked.com
ADELE CHAPIN Dec 30, 2015, 5:10p Back in 2012, the Navajo Nation filed a lawsuit against Urban Outfitters after Urban used the words "Navajo" and "Navaho" to describe printed underwear, flasks, jewelry, purses, and more. That legal battle is still going on, and last week, the Navajo Nation scored what The Fashion Law calls "an early victory" when a judge ruled that the tribe does have legal standing and can continue to pursue its claim under the Indian Arts and Crafts Act.
That act states that it's against the law to falsely claim that products are Native American-made. According to The Fashion Law, the Navajo Nation may also seek damages under the Indian Arts and Crafts Act for Urban's use of additional tribal names.
This is a blow for Urban Outfitters, BuzzFeed's Sapna Maheshwari writes, as the case could go to trial — although it's unclear how much money the Navajo Nation is seeking.
The main strategy for the Urban Outfitters legal defense team has been that shoppers don't associate the term Navajo with the Navajo Nation and that the word is more of a descriptor. BuzzFeed reports that the retailer's lawyers wrote in a court filing in 2012: "Just as the term ‘Light Beer’ is generic for a type of beer that is light in body or taste or low in alcoholic and caloric content, ‘Navajo’ is today a generic descriptor for a particular category of design and style."
Looks like that strategy isn't going to work. "Urban Outfitters is going to have to come up with another way to avoid paying a big penalty for its use of the Navajo Nation’s trademark and name," Law Street's Anneliese Mahoney writes.
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